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A work that makes you both hopeful and depressed. . . .
Much better than "BLONDE"

Earlier edition of Gardening for Southern Seasons

A mixed bag

Good addtion for MM collectors!

Feminist viewpoint

Interesting, well written, thoughtful, wandering

Good for its time

The research is good; the personal comments are not.DeVries plainly states that the white community of Monroe, Michigan accepted the mobility of part-black whites into the white community. This again contradicts the "passing" myth. DeVries, however, is too much of a "liberal" racist to admit that and offend black elites. He even goes so far as to suggest that the white community of Monroe was "racist" for accepting part- black whites into the white community. Damned if you do and damned if you don't!
A quote from the book: "Crossing over was not the silent mechanism that some historians have indicated. It involved not only racial heritage but, ironically, family and personal identity. Could an individual known to have an African ancestry be regarded and defined as white? Yes, the interracial backgrounds and unions off the Fosters and Duncansons were matters of public knowledge. Each of the families had a long, continuous heritage in Monroe, and descendants residing in the community today beat no stigma of race and are generally viewed as Caucasian." (P. 150)


TOUCH STARVATION IN AMERICA

A great destroyer of the steriotype of the cowering JewUnfortunately, this book sparsely documented and is rather jingoistic. This is not an academic work, but one meant for mass consumption.
Finally, certain subjects have inaccuracies. The section on the Khazars, for instance, is based on outdated research. The authors would have done well to read DM Dunlop's research.
I hope that this book is reprinted so that more people can read it. I also hope that someone does more serious academic work on this forgotten subject.
Staggs certainly knows a lot about Marilyn -- from the layout of her house to her friends and enemies, and it seems nearly everything in between. However, he obviously did not know Marilyn herself. Some of my dearest friends, who were actors in Hollywood at the same time, thought she was a smart, funny, and ambitious woman -- not the vapid, neurotic, and ridiculous character Staggs describes. The vulnerability and supposed haze of confusion in "Norma Jean" is built up to such an extent that reading the book became a negative experience -- perhaps because it was such a mistaken potrayal.
The foundation for the work is a good one, but I was sorely disappointed in the final product.